Amid moss-covered rooftops and the quiet waters of the Huong River, or wandering up Thien An Hill, Vong Canh Hill, and into the tombs of the Nguyen emperors… a young woman with the nickname Hoang Trinh Phan has made a significant presence across social media platforms, sharing stories about heritage. Her “heritage storytelling” page has attracted thousands of viewers and followers, not only for her charm but also for the wealth of essential knowledge about cultural heritage that she brings to the public and the community.

Starting on September 9, the method of welcoming and serving visitors to the The To Mieu relic site (Hue Imperial Citadel), where the Nguyen Dynasty emperors are worshiped, will be changed. Accordingly, visitors will no longer be allowed going inside the building. Instead, they will be able to visit, explore, and offer incense from the outside.

In the article “Pho Loi River through the Nguyen Dynasty’s Woodblock”, the author Thom Quang cited a historical information: “In Dai Nam thuc luc woodblock No. 154, the carved page 2 recorded that in the year At Mui of Lunar Calendar (1835), Emperor Minh Mang issued an edict for Thua Thien Hue Province to dig Pho Loi River”. Pho Loi River stretches along the route from Hue, starting from the point where it meets the Huong River and then flowing out to Thuan An seaport.

A friend of mine just came from the Southeastern region to visit Hue. After a day visiting various destinations, from the Imperial Citadel to the tombs of Emperors Gia Long and Minh Mang, then heading to the Van Thanh - Vo Thanh temples and Thien Mu Pagoda, my friend warmly remarked: “In Hue, wherever you go, you can see the Huong River. Now I understand why people here are so gentle and friendly. In this scene, by this river, it’s hard even to get upset!”.

This is the theme of a talk aimed at spreading the cultural and spiritual values of the nation through poetry in the legacy of Emperor-Monk Tran Nhan Tong, presented interestingly by Mr. Nhat Chieu, the speaker and researcher. The event was co-organized by Legacy Brand, Hue Book and Culture Space, Tri Thuc Viet, and Lua Decor on Sunday morning (June 29) at Hue Book and Culture Space (at 23-25 Le Loi Street, Hue City).

For three nights, from April 25 to 27, at Di Nhien Duong Pavilion - an ancient architectural structure in Thieu Phuong Garden - within Hue Imperial Citadel, Hue Monuments Conservation Center collaborated with the Doi Dep tea brand to organize the program “Re-enacting the scene of the emperors hosting tea party for his mandarins” as part of the launch of the Royal tea enjoyment service.

Ho Dac Cung, a young Hue native raised in Cai Lay, Tien Giang, developed a passion for engine mechanics and, through self-teaching, built his own airplane. In 1935, faced with financial constraints, he wrote to Emperor Bao Dai seeking assistance and received the monarch’s approval.

On the afternoon of March 24th, at Kien Trung Palace – Hue Imperial Citadel, the exhibition showcasing the artworks of Emperor Ham Nghi themed “Troi, Non, Nuoc | Allusive Panorama” (Sky, Mountain, Water | Allusive Panorama) was officially launched by Art Republik Vietnam magazine, in collaboration with Hue Monuments Conservation Center and the French Institute in Vietnam.

“Sky, Mountains, Water | Allusive Panorama” is a painting exhibition organized by the Art Republik Vietnam magazine in collaboration with Hue Monuments Conservation Center and the French Institute in Vietnam. It will take place from March 25 and last for two weeks at Kien Trung Palace, Hue Imperial Citadel.

Located about 20km west of Hue Imperial City, Emperor Gia Long's Mausoleum (or Thien Tho Mausoleum) is a relic of the Complex of Hue Monuments, which has been recognized by the UNESCO as a World Cultural Heritage Site.

An Thai is the name of a hundreds of years old antique village specializing in making rice paper cakes and noodles, located by the Con River in An Thai hamlet, Nhon Phuc commune, An Nhon town, Binh Dinh province.

Emperor Ham Nghi’s paintings show harmony in composition, light and color in an impressive style. The artist's emotional realistic landscape paintings are always imprinted with an oriental soul.