Culture

The exhibition introduces to viewers 64 paintings and 1 installation artwork of a group of artists, including Tran Huu Nhat, Hoang Bao Trung, Le Huu Long, Thai Van Nguyen and Phan Vu Tuan.

The contest will find out creative ideas, unique designs to gradually build the Ao Dai brand name to contribute to making Hue become the capital of Ao Dai.

As the home to the ao dai, Hue has long been culturally featured by the ao dai. With great efforts, Hue has made the traditional ao dai part of the daily contemporary life in this city.

The Huong River, which flows into the heart of Hue city, dividing it into two; on the South Bank, Le Loi street is considered the front, the vestibule of the great Citadel.

Art and literature can be found everywhere in Hue under mossy layers, not to mention Buddhist literature at pagodas. In the digital age, those values sit still, secretly spreading their fragrance.

The restoration is implemented to create a spacious infrastructure system, ensuring the elements of aestheticism and cultural environment in the relics, being commensurate with the value and stature of Hue cultural heritages.

The artworks may be those that the landlords own, but they could also be borrowed from the artists or close friends.

Although the historical households relocation of Thuong Thanh area is not a core factor for Hue to aim for building a Heritage City, it is of great value, first of all, to restore the value of the ancient city.

Hue culture is enriched by urban culture, village culture, royal culture and folk culture, but they have not any opposition or exclusion.

Thua Thien Hue promises to become a municipality under the central government with its own set of criteria; nevertheless, the process of realizing the "Hue Dream" will certainly face many challenges.

Repairing and restoring a temple may needs thousands of cubic meters of wood. Then, the hobby for building "ruong" houses and ancient houses are increasingly blossomed in all over the regions...

The five-panel ao dai took shape in Lord Nguyen Phuc Khoat’s era and is considered the forerunner of the today’s ao dai.

This is a procession of over 200 actors, musicians and artists, divided into 3 groups. In different traditional costumes, they hold ornaments, carry palanquins, gongs and drums.

Every nation in the world has a traditional costume that easily reveals the wearer’s nationality.

As a teenager, watching his father's paintings, Hoang Dang Nghiem was influenced by his style. Later, when he experienced more in life, he found his own painting style.