Born in Hue - a place where traditional crafts are deeply intertwined with spiritual life, Tran Phuoc Hoang (28 years old) chose to dedicate himself to the craft of carving ancestral tablets. After nearly 10 years in the craft, he has quietly preserved traditional values through every product meticulously created with his passion.

A kite originating from Hue, which has been preserved for nearly 60 years in a museum in the United States, was discovered by a Vietnamese restoration expert. Through numerous accompanying documents, together with a passion for cultural roots, that expert “told the story” about how the kite was ordered in Hue Ancient Capital, then taken all the way to the U.S., and became an artistic artifact, etc…. It was truly fascinating.

More than 11,000 Nguyen Dynasty artifacts preserved at the Hue Museum of Royal Antiquities constitute a priceless legacy - one that yearns for a modern museum worthy of its stature.

“Up to now, nearly 200 works and items within the Complex of Hue Monuments have been preserved, restored, and renovated, with a total expense of over 2.000 billion VND. This work has always strictly complied with the regulations of the 1972 World Heritage Convention, UNESCO guidelines, and the Law on Cultural Heritage of Vietnam, ensuring authenticity, integrity, and adaptability to the harsh climate conditions of the Central region of Vietnam, etc.,”. These details were shared by Hue Monuments Conservation Center to Mr. Lazare Eloundou, Director of UNESCO Cultural Heritage Center during his visit and working trip in Vietnam at the end of May.

Thanh Tien Paper Flower Village - the cradle of traditional paper flower craftsmanship - is not only a place that creates vibrant blossoms, but also a space where the essence of spiritual culture, skilled hands, and a deep love for national heritage are preserved and nurtured.

There stands a strong border citadel, preserved and nurtured by a love beyond measure.

Thua Thien Hue has preserved many craft villages and handed down many unique traditional crafts. With abundant cultural tourism resources and natural tourism assets, it can combine them with craft and traditional village tourism. This provides a foundation for the Ancient Capital to develop a tourism model that complements its strengths in cultural and heritage tourism.

The artifacts selected for identification are representative items typical of the Nguyen Dynasty's royalty and officials, such as the golden throne, palanquins, ceremonial shoes (things used in daily life and rituals), gold and jade branches (interior decorations), and the Xam Huong set (a recreational activity). This initiative marks the beginning of applying technology to preserve and promote the cultural heritage values preserved in Thua Thien Hue.

As a ‘symphony’ of Hue urban planning, the Perfume River has carried on its historical mission of adorning the elegance of Hue, and is now being preserved. The river will continue to flow in the future, and preserving the Perfume River, therefore, is like preserving the ‘backbone’ of Hue urban area.

The painting "Long van khe hoi" (Nine dragons in the clouds) is a masterpiece on the ceiling of the old main hall of Dieu De Pagoda, which has been moved around 20 meters backward, and is currently being well preserved to the surprise of many. The painting used to be a topic of heated debate for many years regarding whether to keep in the old main hall or to dismantle it. Dismantling it also meant erasing this masterpiece.