With a vivid imagination and familiar natural materials, artist Nguyen Van Tien, from Kim Long Ward, has created an engaging experiential space through the Tataki-zome handcrafted fabric-dyeing technique.

On the evening of March 14th, at the hall of Nguyen Tri Phuong Secondary School, the Institut Français de Hué, in coordination with Hue Vietnam - France Friendship Association and local educational institutions, organized Francophonie Night 2026. The activity is part of a series of events celebrating International Francophonie Day and attracted a large number of students.

On the morning of March 1, Mr. Nguyen Hai Nam, a full-time member of the Economic and Financial Committee of the 15th National Assembly, visited and presented 100 gift packages to poor households and those in difficult circumstances in Phong Phu Ward.

No one has captured the Vietnamese sense of living away from one’s homeland better than poet Nguyen Khoa Diem when he wrote: “They carry the names of their communes and villages on every migration journey.” In the highland city on the Lang Biang Plateau, this sentiment holds true as well. Many people from Hue left their ancestral land to settle here nearly a century ago. Though four or five generations have now been born on this new land, the “Hue spirit” in these distant Hue communities has never faded.

On the Lantern Festival (the Full Moon of the First Lunar Month) more than 15 years ago, the most “pure Hue native” friend I know, architect Nguyen Trong Huan, and I put on thin raincoats and walked together through the light, drifting drizzle to search for Hue’s culinary specialties. Having lived in this city for many years, Huan still longed for the flavors he once tasted.

Since 2017, Ms. Nguyen Thi Dieu Hanh, Head of the Biology Department at Quoc Hoc - Hue High School for the Gifted, has been tirelessly seeking “seeds”, nurturing and guiding generations of students onto the International Biology Olympiad arena, contributing to the prestige of the century-old school.

I visited An Dinh Palace on a warm, sunny early spring day. Not counting the respectful foreign visitors pausing before each artifact, I figured that among the more than 20 young people bustling about in ao-dai, with flowers, striking various poses for photos, few knew that they were standing very close to the remnants of a famous theater from the end of the Nguyen Dynasty that has now completely disappeared: Cuu Tu Dai.

The song “Tinh ca Mua xuan” (“Spring Love Song”) by Tran Hoan, set to a poem by Nguyen Loan, was born in the spring of 1979 and spread quickly in life in the early years after the reunification. Nearly half a century later, the song still resonates, becoming one of the most beloved songs about spring in the treasure of Vietnamese music.

Vo Thi Nhu Nguyen's leaf-skeleton hand fans preserve the delicate veins of fallen leaves, transforming what was once considered waste into items with a new lease on life.

“Thuan Hoa is a local publishing house, but not merely a local one, as Hue is a long-established historical and cultural center of the country and is also the one being internationally recognized. Therefore, from the very beginning, the publishing house has strived to produce works worthy of the historic land of Thuan Hoa,” Dr. Nguyen Duy To, Director of Thuan Hoa Publishing House, quoted the late journalist Hoang Tung, former Secretary of the Party Central Committee, when addressing the functions and development orientation of Thuan Hoa Publishing House at a friendly gathering marking its 45th anniversary (1981-2026), held on the morning of February 10.