Within the cultural complex of Hue, if the system of palaces and royal tombs defines the face of an Imperial capital, the villages along the lagoon and coastline preserve the depth of community life. There, heritage does not lie dormant in the past but lives on in every festival season, every daily custom, and every belief tied to the natural environment. The Cau Ngu Festival of Thai Duong village, held once every three years in January at the Thuan An seaport, is precisely such a heritage - a vibrant cultural practice where community memory, maritime knowledge, and the will to survive have woven together into an enduring whole across hundreds of years.

According to an information released by the Railway Transport Joint Stock Company, following a period of exterior and interior renovations to passenger carriages on Hue - Da Nang route of the “Connecting Central Heritage” train, the upgraded train will officially debut on March 26, 2026.

In Bao Vinh Old Town, Ms. Tran Thi Minh Phung still carefully holds her brush each day to paint on glass, just as her family has done for generations. As most of the artisans from the old days have nearly disappeared, the hands of this woman in her fifties have become a place where a craft once closely associated with the royal art of Hue is being preserved.

Since the primordial dawn of history, primitive humans were already conscious of time. They observed the rotation of the universe and carved markings on cave walls to record the passage of day and night. From natural phenomena, weather patterns, and cosmic cycles, humans created calendars to serve daily life and agricultural production.

In East Asian culture, horses are not merely a means of transport but a cultural symbol. In Hue during the Nguyen Dynasty, the presence of horses accompanied ceremonial processions and imperial carriages. Even today, that image endures on two bronze urns of the Nine Dynastic Urns - Huyen Dinh and Anh Dinh (the alias of Tu Duc) - like a layer of resilient metallic memory, reminding us that horses once played a role in the life of the former imperial capital.

Within the tranquil setting of Hue Imperial Citadel, the melodies of nha nhac (Royal Court Music) resonate slowly and steadily. This enduring musical flow quietly carries echoes of the past, along with the steadfast efforts of those who dedicate themselves each day to preserving the heritage.

In the days leading up to the Tet holiday, as the breath of spring gently weaves through every street, Dong Ba market becomes bustling and radiant. Beyond its role as the city’s largest commercial hub, this century-old market has become a familiar destination for residents and visitors to pose for commemorative photos, capturing spring moments imbued with the distinctive character of Hue.

From late January to early February 2026, Hue City Art Troupe brings Hue Royal Court Music (Nha nhac) and other distinctive cultural values of the Ancient Capital to perform and promote in Sydney, Darwin, and Canberra (Australia).

The heritage space of Hue’s Imperial Citadel is being retold in a new language, the language of technology. At the Royal Treasury Palace, stories of the past are no longer meant solely to be observed, but also to be touched, listened, and experienced, opening up a gentle, emotionally resonant way of engaging with the heritage of Hue Ancient Capital.

Mossy temples, royal mausoleums, ancient pagodas and the beautiful scenery granted to the former capital city all together form an “urban poem.” And that beauty of Hue is even more gorgeous through eyes of talented painters.