On the morning of October 22, the first Vietnam Calligraphy Festival 2026 opened at the Co Mat Vien (Privy Council) - Tam Toa relic site under the theme ‘Vietnamese Soul through Brushstrokes’. The event is part of Hue Festival 2026.

From October 22 to 26, the first Vietnam Calligraphy Festival 2026, themed ‘Vietnamese Soul through Brushstrokes’, will take place in Co Mat Vien, No. 33 Tong Duy Tan St., Phu Xuan Ward. The event will feature a wide range of activities, including exhibitions, cultural exchanges and discussions, as well as hands-on calligraphy experiences.

Amid the rapidly changing pace of modern life, in the ethnic minority communities of Hue City, traditional culture continues to be quietly revived and preserved. This is part of an ongoing effort to restore the distinctive cultural values of the Bru–Van Kieu people.

On June 24, Hue City Women’s Union, in coordination with the city’s Forest Protection Department, the Global Environment Facility (GEF), the Small Grants Programme (SGP), and the United Nations Development Programme (UNDP), organized the program “The Cultural Colors of the Bru - Van Kieu People” in Phuc Loc Village, Hung Loc Commune.

After graduating with a law degree and working in Hanoi for some time, Ho Thuong Liu (born in 1993) decided to return to A Luoi 1 Commune to start his own business. Drawing on the A Lin Stream that was part of his childhood, he developed a community-based tourism model centered on stilt houses, local cuisine, and the cultural traditions of the Bru - Van Kieu people. From a once-pristine and lesser-known destination, A Lin Stream has gradually attracted visitors, contributing to the livelihoods of local residents in the highlands.

As if by a twist of fate, the two painters Hoang Dang Khanh and Tran Anh Huy are not only friends but also share a deep passion for art, culminating in their joint exhibition titled “Ky uc thap mau” (“Memories Illuminated in Color”).

In Bao Vinh Old Town, Ms. Tran Thi Minh Phung still carefully holds her brush each day to paint on glass, just as her family has done for generations. As most of the artisans from the old days have nearly disappeared, the hands of this woman in her fifties have become a place where a craft once closely associated with the royal art of Hue is being preserved.

Offering both a fresh artistic experience and a way to preserve the vibrant emotions of spring, the workshop on paintings to hang up for Tet led by young artist Tuyet Loan at An Yen Station (Phu Xuan Ward) has become a tranquil gathering place where participants immerse themselves in radiant brushstrokes.

Although she has never attended any formal art school, Pham Thi Tuong Vi (born in 1992, living at 37/7 Ung Binh, Vy Da Ward) has mastered the art of “dancing” the brush on the traditional conical hat. With her skillful hands and passion for colors, familiar landscapes of her homeland vividly come to life, giving each hat its own distinctive beauty.

The Vietnamese Embassy in Brunei has presented a collection of Vietnamese literature and cultural research books to the library of the International School Brunei (ISB), including famous literary works translated into English.