Aedus Crew, a young and energetic dance group, is gradually making its mark on the artistic life of the Ancient capital. Behind its high-energy performances are students from the University of Medicine and Pharmacy, Hue University.

On the morning of March 3, Vietnam Haiku Poetry Club - Hue Ancient Capital Chapter held a gathering and poetry-music exchange to mark the 24th anniversary of Vietnam Poetry Day and celebrate International Women’s Day (March 8).

Hue is undergoing a powerful transformation as it has become a centrally governed city, not only leveraging its natural advantages and distinctive cultural heritage but also proactively seeking new growth drivers. The development of a green logistics center and the establishment of a Free Trade Zone (FTZ) are viewed as strategic breakthroughs for the Ancient Capital.

On the shady Le Duan street, there is a small handicraft workshop resounding daily with the whir of grinders and the buzz of cutting machines. There, coconut shells once thought to be discarded are adorned with shimmering mother-of-pearl, transformed into souvenirs imbued with the essence of Hue.

During their spring outings, beyond visiting heritage sites and familiar attractions, many travelers to Hue have chosen a distinctive way to experience Tet: seeking out traditional craft spaces, personally experiencing hands-on activities, and creating handmade products imbued with the rich cultural identity of Hue Ancient Capital.

On a pure morning, I bumped into groups of visitors strolling along the path leading into Hue Imperial Citadel. Cradling her camera in both hands, Ms. Marie, a French tourist, asked the guide in a gentle voice: “May I… try on Vietnam’s traditional costume?”. That question seemed to open an unexpected journey for them, an experience that felt as if they could touch the ancient soul of Hue

Thousands of flower pots, together with decorative miniatures featuring the horse mascot along the two banks of the Perfume River, have emerged as a focal point of the Binh Ngo Tet (Lunar New Year of the Horse) 2026. The urban space of Hue has thus preserved its ancient charm while creating a distinct touch of modern beauty.

On the evening of February 11 (the 24th day of the 12th lunar month of the Year of the Snake), in the shimmering garden setting of the Royal Treasury Palace, Hue Imperial Citadel, Hue Monuments Conservation Center organized the “Royal Tet” program, opening a spring celebration space rich in ancient royal tradition. Being held over two nights, February 11 and 12, the program attracted a large number of locals and visitors.

In the days leading up to the Lunar New Year of the Horse, when streets are awash in the golden hues of apricot blossoms, young people once again eagerly enter the season of photo hunting. From the Imperial Citadel, ancient pagodas, and Dong Ba Market to cafes decorated in spring colors, every street corner and every space become a backdrop for capturing beautiful moments. Tet photos not only mark the transition between the old year and the new, but also reflect the vibrant, youthful rhythm of life in the heart of the Ancient Capital.

On the afternoon of February 9, an art exhibition, themed “Celebrating Spring and the Zodiac of the Horse 2026”, was held at Song Huong Magazine (9 Pham Hong Thai). It was organized by Hue Fine Arts Association. This is an annual tradition having become a familiar cultural activity for Hue art community as Tet and Spring arrive.

Gio An ancient well is a unique cultural heritage in Quang Tri, demonstrating the ancient agricultural civilization of the Cham people.

Among more than 100 fine artworks with the theme "Fine Art Works - Collection of Hue Fine Arts Museum" being organized by Hue Fine Arts Museum at 15 Le LoiSt., Hue City, more than half are typical works of famous artists from the ancient capital or once associated with this land.

Each Chinese character, intricate and beautiful artistic patterns on the stele, appear distinctly and sharply on the paper.

Each Chinese character, intricate and beautiful artistic patterns on the stele, appear distinctly and sharply on the paper. With a great deal of care and meticulous effort, the task of inscribing these epitaphs has been quietly undertaken for over a decade by two young researchers, Nguyen Phuoc Bao Dan and Le Tho Quoc, who work at the National Institute of Cultural and Art in Hue.

Recently, the movement of wearing ancient clothes to visit Hue Imperial Palace has been loved by many people. Throughout the palaces, the corridors, the aisles, the flower gardens, etc., in the Royal Palace, there are many people wearing colorful ancient costumes.