Thuy Xuan hill area, Hue city is famous for ancient pagodas such as Tu Hieu, Dong Thuyen, Bao Lam, Chau Lam, Dieu Nghiem, etc. Being lost in the clouds and wind with many rows of pine trees rustling on these hillsides in the early morning or at dusk, and listening to the sound of temple bells ringing in the wind and the steady sound of wooden bell echoing from the pagodas make my heart strangely calm and peaceful.

Emerging in the late 19th century and early 20th century, jazz quickly spread worldwide, becoming a genre that has attracted diverse cultures in various countries, regions, and communities. It has evolved into a popular art form, connecting with cinema, sports, literature, and many other disciplines. However, in Vietnam, the jazz-listening community remains quite small, lacking widespread venues for the general public. In Hue, jazz is particularly young, both in terms of its audience and the community of musicians who play it.

By listening to the miraculous sounds of rocks, the young artist Nguyen Van Tien has allowed rocks to narrate stories of memories. Through his vibrant and delicate brushstrokes, the rocks have become conveyers of beautiful memories and memorable moments for many people.

With consistent participation and numerous prestigious awards in music competitions, coupled with frequent performances in artistic programs throughout Hue, Phan Huy Thanh, singer, has made a profound impact on audiences. Particularly, the songs about Hue performed by Phan Huy Thanh are vibrant and youthful, such as "Cơm hến" (Mussel Rice), "Trai Huế" (Hue Boys), "Nón" (Conical Hat)... truly bringing a breath of fresh air, contributing to spreading and elevating the imagery of the landscapes and people of Hue to the listeners.

“I study garden houses as a connection between Vietnamese art and culture and a deep connection with the land and spirit of Hue. Hidden cultural features still thrive in the values and identity of Hue today,” said Professor and Landscape Architect Kimberlee Stryker (University of California, Berkeley) in her “Listening to the Gardens of Hue, Vietnam” 25 years ago.