In the current of contemporary Vietnamese painting flow, the name Dang Mau Triet has long evoked the image of an artist rich in individuality, constantly shifting between realms of emotion and experimenting with new modes of expression.

In the years from 1930 to 1937, painter Mai Trung Thu was appointed to teach drawing at Quoc Hoc High School. Here, his talent blossomed. Series of his paintings were born, depicting gentle Hue girls, the charming scenery of the Huong river and the temples and royal mausoleums. His paintings in Hue rendered him a solid position in modern Vietnamese painting.

Artist Dang Thi Thu An is one of the prominent faces among the promising generation of 1980s artists from Hue. With works deeply characterized by traditional culture, especially depicting women figures and áo dài, she has contributed to creating a unique impression in contemporary Vietnamese painting.

Vietnam Cultural Heritage Association on May 31 launched a painting contest with the theme "Vietnamese cultural heritages through paintings" in Hue City.

In a house at the end of a small alley on Pham Thi Lien Street, Le Phan Quoc is diligently finishing the paintings “Gateway to Dien Tho Palace” and “Hue Features” with Vietnamese lacquer. For him, Rhus Succedanea lacquer (hence forth, R.S. lacquer) has always had a strange attraction because it brings subtle and profound characteristics to a painting that no other material does.