The exhibition and demonstration of traditional crafts, held at the Ethnic Cultural Center of A Luoi 2 Commune, offered visitors vivid and authentic cultural experiences.

Though in his seventies, Excellent Artist Tran Thao (Phu Xuan, Hue) has never spent a single day without nha nhac (court music). He teaches it in classrooms, passing on his craft in his small house and maintaining a nha nhac club for over three decades now. Every year, he travels to An Giang, carrying with him the “music of the past” to share with others.

Traditional culture is now being embraced by young people in new, youthful, engaging and accessible ways through craft village workshop tours. This form of experience is becoming increasingly popular, attracting many young people and tourists who can directly take part in and create traditional handmade products themselves. More importantly, these activities help preserve and spread cultural and historical values while honoring the craftsmanship and dedication of people in traditional villages. ​

With its potential and advantages in natural resources, local culture, traditional craft villages, and agricultural and fishing livelihoods, regional zoning linked with eco-tourism and community-based tourism (CBT) development orientations will help promote sustainable tourism growth in Hue.

With over 300 different variations of designs, Nerikiri requires creativity, meticulousness, and skillful craftsmanship from the confectioner.

From discarded items left behind after use, artisan Nguyen Dai Nghia (Phu Xuan Ward, Hue City) has crafted distinctive handmade jewelry pieces that bear a strong personal imprint.

Inside a workshop thick with the scent of cement on Lai The Street (My Thuong Ward), there is a craftsman who remains devoted, day after day, to the meticulous work of casting bonsai pots. He is Nguyen Van Nhan, 53 years old, with 15 years of experience dedicated to creating pots tailored specifically for bonsai artworks.

For nearly three decades devoted to shards of pottery and porcelain, artisan Dao Huu Khien has remained steadfast in his meticulousness, patience, and passion for the craft.

Kim Tra Ward Culinary Festival took place over 2 days, March 9 and 10, at the Exhibition House of the National Intangible Cultural Heritage “Van Cu Rice Noodle Craft” (Van Cu - Nam Thanh residential area), drawing the participation of a large number of residents and visitors.

Ba Bun Worship Ceremony was officially held on the morning of March 10 at Ba Bun Shrine (Van Cu - Nam Thanh residential area, Kim Tra Ward) in a solemn and reverent atmosphere. The ritual is a traditional cultural practice that embodies the Vietnamese principle of “honor the ancestors”, expressing gratitude to the forebears who founded and passed down the rice noodle-making craft to generations of residents.

In Bao Vinh Old Town, Ms. Tran Thi Minh Phung still carefully holds her brush each day to paint on glass, just as her family has done for generations. As most of the artisans from the old days have nearly disappeared, the hands of this woman in her fifties have become a place where a craft once closely associated with the royal art of Hue is being preserved.